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| "The sharp, splintered forms of the woodcut process allow me to render images free of the tethers of sentiment and allow atmosphere and mood to predominate. I choose to execute my images on planks of wood that already wear the scars of use and have their own history ingrained in their surface. Careful selection of primary materials combined with the action of gutting and carving allow an unlimited vocabulary of additive and subtractive marks to make stark, dramatic, black and white imagery as well as supporting veils of colour and texture."
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