Ed Chapman is one of the UK's leading mosaic artists working in ceramic and glass tile. Achieving incredibly accurate results, Chapman has taken the age old medium of mosaic to a modern high standard. His work incorporates all sorts of iconic imagery and his 3-D works are exciting and stylish, as well as being instantly recognisable. Working painstakingly on every creation, Chapman has exhibited on both sides of the Atlantic and has undertaken commissions for an eclectic array of celebrities from the worlds of politics to sport

 

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Simon Fairless is a new and emerging British artist. His ideas and aesthetics spill into Landscapes, Seascapes and Figurative paintings, Still Life and Abstract works. He has exhibited his work throughout the United Kingdom and has works in private collections throughout the world. By using iconic images from contemporary life, the artist creates pop images that glow with colour and life. His varied portfolio moves through glistening abstractions to cityscapes and town scenes. Familiar London streets are recreated with a feeling of light and an understanding of the language of colour. We are very pleased to bring you this popular and talented painter.

 

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Auster’s necessity to record and document the world around her enables her to elequently encapsulate a fleeting moment in time.

 

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Jordan's paintings and prints take inspiration from the natural environment offering us an alternative, somewhat amusing look at nature.

 

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Angiolina Antolin lives and works in Spain and now divides her time between painting and teaching. Angoliolina’s use of mixed media to create a raw and tactile quality to her work cleverly accentuates her symbolic use of imagery. Each work containing symbols and icons that resemble and hint at an ancient language and personal vocabulary help to create these intriguing primal works.

 

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Clark reflects her passion for the visual world by pulling on an eclectic mix of influences; a medieval reliquary or Indian carving, a pattern on a Victorian plate, a snippet of conversation that she might find emotive.

 

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Clifford's seascapes offer a captivating view of the ambiguous divide between sea and sky.

 

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Fascinated by the way western society views the human figure, Freeman’s lucid figurative oil paintings tackle the consequences this might have on individual emotional regard and internal self respect.

 

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While Catherine's condiment works look like random collections of kitchen basics, they are in fact psychological profiles of their owners - portraits that can tell us more about their subjects than more traditional head-and-shoulders daubs. She also captures the recognisable brands with loving attention to detail.

 

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Lubar's glowing effervescent paintings create optical illusions of light and shadow. Often taking us through three or four stages and divisions of reality, she exhibits her work across London and America where her work is held in private collections. "My work takes as its subject light and shadow. The shape of a light pattern and the "negative" space surrounding it combine and interact with each other to form a geometrically interesting composition. Unnatural colours are used to create the feeling of light hitting the eye and sometimes dark and light tones are used together to give the feeling that the painting itself "glows" with its own light." Katherine Lubar

 

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